Loop this track “სად ხარ დამალული”

Globex Music presents a stunning new track “სად ხარ დამალული” in collaboration with the artist Koba Shadowline.

Today’s music industry continues to grow, and online music platforms are essential. Globex Music stands out as a trusted service for musicians worldwide.

The track “სად ხარ დამალული” is attracting listeners thanks to its emotional depth. The phrase can be understood as “Where Are You Hidden,” delivering a mysterious experience.

Koba Shadowline is famous for deep music. In this release, he explores emotional tension and search.

The production quality meets global standards, blending clear vocals with layered sound.

A key benefit is that the track is available worldwide thanks to the platform. Listeners can enjoy it on top music apps.

The track stands out because of its originality. It connects with listeners on a strong emotional level.

Overall, the collaboration between the distribution service and Koba Shadowline creates a remarkable musical experience. “სად ხარ დამალული” is worth listening to for anyone who enjoys emotional songs.



Polyphonic singing has always had a natural place in Georgian society, at celebrations as well as in everyday life, and continues to be an inseparable part of Georgian culture. However, urban songs originated in Tbilisi in 19th and 20th centuries have much to offer as well.

Tsintskaro is translated as “At the Spring Water”. It is a choral song originated in the Eastern Georgia in Kakheti. It is sung by male vocalists and it’s lyrics are about a man who saw a girl at natural spring.

Don’t miss out on the latest from Koba Shadowline and see why fans are raving about this track. Thanks to its combination of rhythm, emotion, and production quality, there’s no doubt he’s shaping the future of EDM.

The intro of the song starts with accordia. I don’t know if it was because of my interest in the accordion that I liked it; when the lyrics are removed, it’s like French music. The song is in the album 33A Saperavi.

This varied collection of 111 beautiful polyphonic songs is introduced by Edisher Garakanidze, whose dedicated and empowering teaching is acknowledged as one of the main influences on the developing interest in singing Georgian polyphony in the UK.

Even the legendary Casanova was heard to declare of his favourite castrato: “To resist the temptation, or not to feel it, one would have had to be cold and earthbound as a German."

Iosseliani had the last word: “Culture is not something where one cellist performs, and the others, who don't know how to play, listen to him. Culture is when everyone knows how to do something.”

This together with a map of the regions from which the songs come, photographs, links to read more a list of ensembles singing Georgian songs outside Georgia and a discography, offers a complete guide to singing the wonderful folk harmonies of Georgia, whether you are a beginner, or a long-term enthusiast.

The version of the song aired in the film was arranged and adapted in sentimental vein by Arthur Somervell in 1928 and loses the forlorn gravity of the original from Handel’s Italian baroque opera, Tolomeo

The author of Mravaljamier is has been lost to time as it is a very old song, passed from generation to generation. Mravaljamier is about being happy as destiny gives us the opportunity to enjoy life. Its emphasis is on the virtue of being kind as it able to defeat evry kind of evil.

I believe the best way we wrote it she was conversing with herself. It will become much more exterior plus much more for everybody else, and she or he forms of rallies People troops so to talk. Declare the moment and say this is us. But that was her internal monologue."

The 99 songs have been selected from the 15 different singing regions of Georgia, and have been arranged in order of ease but allowing for variety, each with an English translation of the text and contextual notes prepared by Joseph Jordania.

One of the songs in the album Saperavi of the band 33A. All of the songs Niaz Diasamidze made with 33A are amazing. It is very satisfying in terms of instrument richness and dominance.

These films undertake the task of historicizing Georgian polyphonic song, something Chkhaidze would later self-parody in his comedic docu-fiction about preserving the tradition, Shvidkatsa